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James Ensor
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

 

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James Ensor Skeletons Fighting for the Body of a Hanged Man oil painting

Painting ID::  1138

X 
 

James Ensor
Skeletons Fighting for the Body of a Hanged Man
1891
   
   
     

 

 

James Ensor The Lady in Distress oil painting

Painting ID::  11710

X 
 

James Ensor
The Lady in Distress
1882 3' 3 1/4'' x 2' 7 1/2(100 x 79.7 cm)Gift of Armilde Lheureux,1932
   
   
     

 

 

James Ensor Skeletons Fighting for the Body of a Hanged Man (mk09) oil painting

Painting ID::  21625

X 
 

James Ensor
Skeletons Fighting for the Body of a Hanged Man (mk09)
1891 Oil on canvas,59 x 74 cm Antwerp,Koninklijk Museum voor Schone Kunsten
   
   
     

 

 

James Ensor Portrait of the Artist Sur-Rounded by Masks (mk09) oil painting

Painting ID::  21626

X 
 

James Ensor
Portrait of the Artist Sur-Rounded by Masks (mk09)
1899 Oil on canvas 120 x 80 cm Antwerp,Collection Jussiant
   
   
     

 

 

James Ensor The Oyster Eater (nn02) oil painting

Painting ID::  23150

X 
 

James Ensor
The Oyster Eater (nn02)
1882 Oil on canvas 81 1/2 x 59 1/16'' The Antwerp Royal Museum of Fine Arts
   
   
     

 

 

James Ensor Firworks (nn02) oil painting

Painting ID::  23152

X 
 

James Ensor
Firworks (nn02)
1887 Oil and encaustic on canvas,40 1/4 x 44 1/4'' Albright-Knox Art Gallery Buffalo New York George B and Jenny R Mathews Fund 1970
   
   
     

 

 

James Ensor The Entry of Christ into Brussels in 1889  (nn02) oil painting

Painting ID::  23153

X 
 

James Ensor
The Entry of Christ into Brussels in 1889 (nn02)
1888 Oil on canvas 102 1/2 x 169 1/2'' The J.Paul Getty Museum,Malibu
   
   
     

 

 

James Ensor Skeletons Flghting for the Body of a Hanged Man (nn03) oil painting

Painting ID::  23287

X 
 

James Ensor
Skeletons Flghting for the Body of a Hanged Man (nn03)
1891 Oil on canvas 59 x 74 cm 23 1/4 x 29 1/8 in Koninklijk Museum Voor Schone Kunsten,Antwerp
   
   
     

 

 

James Ensor Self-Portrait with Masks oil painting

Painting ID::  27083

X 
 

James Ensor
Self-Portrait with Masks
mk52 1899 Oil on canvas 117x80cm Menard Art Museum,Komaki,Japan
   
   
     

 

 

James Ensor Self-Portrait oil painting

Painting ID::  30066

X 
 

James Ensor
Self-Portrait
mk67 Oil on canvas 16 1/2x13 3/8in Uffizi
   
   
     

 

 

James Ensor Skeletons Flighting for the Body of a Hanged Man oil painting

Painting ID::  34048

X 
 

James Ensor
Skeletons Flighting for the Body of a Hanged Man
mk87 1891 Oil on canvas 59x74cm Antwerp,Koninklijk Museum voor Schone Kunsten
   
   
     

 

 

James Ensor Portrait of the Artist Sur rounded by Masks oil painting

Painting ID::  34049

X 
 

James Ensor
Portrait of the Artist Sur rounded by Masks
mk87 1809 Oil on canvas 120x80cm Antwerp
   
   
     

 

 

James Ensor Russian Music oil painting

Painting ID::  34920

X 
 

James Ensor
Russian Music
mk98 1881 Oil on canvas 133x110
   
   
     

 

 

James Ensor The Hippogryph oil painting

Painting ID::  37404

X 
 

James Ensor
The Hippogryph
mk126 1880-85/1886-88
   
   
     

 

 

James Ensor Nude with Curtain oil painting

Painting ID::  37405

X 
 

James Ensor
Nude with Curtain
mk126 1886-88
   
   
     

 

 

James Ensor Nude at a Balustrade or Nude with Vase and Column oil painting

Painting ID::  37406

X 
 

James Ensor
Nude at a Balustrade or Nude with Vase and Column
mk126 1880-85/1886-88
   
   
     

 

 

James Ensor The Oyster Easter oil painting

Painting ID::  37407

X 
 

James Ensor
The Oyster Easter
mk126 1882 Oil on canvas 207x105cm
   
   
     

 

 

James Ensor The Entry of Christ into Jerusalem oil painting

Painting ID::  37409

X 
 

James Ensor
The Entry of Christ into Jerusalem
mk126 1885 Drawing 206x150.3cm
   
   
     

 

 

James Ensor James Ensor in his studio,Painting the entry of Christ into Brussels oil painting

Painting ID::  37412

X 
 

James Ensor
James Ensor in his studio,Painting the entry of Christ into Brussels
mk126 1888-89
   
   
     

 

 

James Ensor The Entry of Christ into Brussels oil painting

Painting ID::  37413

X 
 

James Ensor
The Entry of Christ into Brussels
mk126 889 Oil on canvas 252.7x430.5cm
   
   
     

 

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James Ensor
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.